“American Horror Story’s” Emma Roberts is producing a queer vampire series that is described as “Killing Eve meets Buffy”.
Based on Victoria “V. E.” Schwab’s short story of the same name, First Kill will follow a teenage vampire called Juliette, who must “make her first kill so she can take her place among a powerful vampire family.”
Juliette sets her sights on a new girl in town called Calliope, who is a vampire hunter from a family of renowned slayers.
Here we are — the middle of October 2020 already, and just about at the end of the first season of QUSIC. It’s safe to say that none of us expected this year to turn out the way it has; life in 2020 has really become synonymous with that old gem “rolling with the punches”. When I look back on what has been an extremely challenging year, I have to say that hosting QUSIC has certainly been one of the highlights.
When QUSIC was first proposed, I was ecstatic. The opportunity to work with and promote the talents of LGBT2Q+ musicians was incredibly appealing, and hot off the heels of several very successful Peak Pride events I was basking in the after-glow of being surrounded by other queer folx as well as incredibly supportive allies. The overall concept of QUSIC is absolute genius: if you’re as yet unfamiliar with what the show is about, here are the historical details…
QUSIC is a new LGBT2Q+ Artist Music Series, in which all presenting artists identify under the LGBT2Q+ spectrum. QUSIC celebrates the LGBT2Q+ community, which includes individuals who identify as lesbian, gay, bisexual, transgender, queer and two-spirit as well as a range of other gender and sexual identities. The show features solo performers, duos or group acts, provided that the majority of the band and the headlining artist identifies as LGBTQ2+. QUSIC has been streaming live on Unicorns.LIVE (watch.unicorns.live) every second Wednesday at 7:00 pm (PST) since May 27, 2020 with episodes available to subscribers to the streaming platform after they air.
This, however, was not always the plan: enter COVID-19, stage right…
As is the case for all of us on Planet Earth 2020, the pandemic brought everything to a screeching halt. For us at Rebellious Unicorns Production Company Inc. (aka, RUPC, the company behind QUSIC and Unicorns.LIVE) every project we were working on was disrupted, put on hold, or had to be reimagined. Luckily, we were able to make some tasty lemonade out of the rotten, shitty batch of lemons the Universe had just handed us.
“What now? What do we do? How do we make sure these artists are getting paid? How do we get their music out to the intended audience? What does the show even look like?” These were among myriad questions that dominated our conversations. QUSIC, which was meant to be a multi-city performance opportunity for LGBT2Q+ musicians, suddenly became something very different than how it was originally conceived. And yet, it was somehow perfect for the strange world we suddenly found ourselves in.
To be honest, it took a bit of courage for me to outright ask for the hosting job. Despite how I may sometimes come across to people who watch the show, I don’t enjoy the spotlight. I’d rather be a facilitator in helping others tell their stories, putting the details together, or assisting others along the way during their journey to wherever they’re headed. Given the situation, I knew I had the chops for the gig — I started a career in broadcasting when I was just 19 years old. While I haven’t worked exclusively in this field, I’m blessed with the ability to connect and converse with others quite easily and enjoyably.
One of my greatest joys as host of QUSIC has been connecting with the artists, getting to know them and their music, and becoming a fan of their work.
It has been an absolute privilege to interview every single one of our guests, and then sit back and listen/watch them express exactly what they need to in that moment. I’ve sometimes been brought to tears (happy or sad); listened to the stories of how they express themselves through song; learned about other sexual and gender identities; and I’ve been forced to examine the relationship with my own queerness. I’ve been given this incredible opportunity to become a part of these people’s stories, and their music has completely enriched my life. This I know unequivocally.
And yet, a degree of frustration exists. I find myself becoming so angry with current musical content because everything sounds irritatingly familiar, like it’s all been done before. So much of what I hear or see in pop media has just become regurgitated and rebooted bullshit. I love a good remix or a solid cover, but for the love of all that is holy: where is the originality?Where are the new voices? Where are the stories that we can connect with and move us to think and feel and evolve? QUSIC — that’s where. It might not be the entire answer, but it’s certainly a major part of it. When I’ve had the privilege of watching those who have performed on QUSIC, I’ve quite often asked myself, “Why does the world not know more of you?”.
Let me be clear: this is not a broad criticism of everything that becomes widely popular, and I’ve not calling for an all-out queer takeover of the music industry. But the time is nigh for queer artists producing original, musical content to have their moment. Not all stories that need to be told are straight, white, male, and cis-gender. I’m so incredibly passionate about what I do with QUSIC because, from what I’ve been exposed to thus far in my journey with QUSIC, there are many tales (IMHO) that more people in general should be listening to and learning from. Music is music is music. As humans, we have been gifted the ability to create this wondrous artform that allows us to express so many thoughts and feelings, at times even empowering disenfranchised groups in society to bring about change. And, sometimes, maybe that wondrous artform just allows us to enjoy love for the sake of love, or experience anguish because it hurts…because we are all human.
We’ve come a long way since debuting this show in May 2020 during a pandemic. I’m so grateful to the team I work with to create this project, and I can’t wait to discover what we have in store for the next series. QUSIC, like life, is a work in progress. Moving forward, I’d really like to see this show become a true vehicle for emerging artists’ careers, a place where past guests feel they want to return to, and a platform that attracts established artists to share their stories and songs. I’ve already been so impressed with the calibre of talent we’ve hosted during Season One; I’d really like to see QUSIC become an entity that enters the conversation in the music world and in the larger community. Season One is winding down, but I hope the audiences, viewers, and the artists (the reason we do this in the first place) are ready to strap in alongside me for the musical rollercoaster ride that is yet to begin.
QUSIC will air three more regular season episodes through mid-November on select Wednesdays at 7:00 pm (PST); on October 14, October 28, and November 18, 2020. A special Season Finale is in the works for December; stay tuned for details.
‘I am Syd Stone’ enters into a domestic and international distribution deal with Toronto-based LevelFILM.
The series, which sprung from the 2014 Iris Prize nominated short film of the same name, is based on Theriault’s own experiences circumventing his sexuality within the film industry as an actor. The show follows a washed-up Hollywood heartthrob as he enters a secret affair, the ensuing drama potentially derailing his life and career.
The two actors asked their gay friends what it was like to be in a real lesbian relationship before embarking on filming Ammonite
Speaking to Variety about the film, Ronan explained how she approached gay friends to find out how to best represent the queer experience on-screen.
“Any of the gay women that I have spoken to — and I think Kate did as well — before we started this, we were sort of asking them advice, just about different things that we as straight women maybe wouldn’t know about,” the Irish actor said.